January 2010
55 posts
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Interview with Yve-Alain Bois
Recognized for reviving the polemic about Formalism, art critic and historian Yve-Alain Bois discusses in this interview important issues related to contemporary art. Bois reflects about the contextualist art criticism, points out academic blackmails, puts into question the concept of post-modern and remembers his relationship with the Brazilian artist Lygia Clark.
Clement Greenberg
Q:...
MANGA DAN GRAHAM STORY
Manga from his own experiences. A M A Z I N G as usual.
E.
Watchhttp://mirkomartin.com/flowE.htm
Graham+Petri →
Genius speaks of a work of another genius.
I like the fact that Graham seems to be a moron. For me he s the other side of the cool attitude. He’s my hero.
E
“I knew a wise guy who used to make fun of my painting, but he didn’t like...”
– F. Stella
Watch
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MANIFESTOS FOR THE FUTURE
geometrie-variable:
Of whom and of what are we contemporaries? What does it mean t
o be contemporary?
—Giorgio Agamben
According to common-sense understanding, defining what we mean by the “contemporary” in art presents few problems: anything being produced in the present is always contemporary, and by the same token all art must necessarily have been contemporary at the time of its...
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el niño predicador
counterfeit-mess:
Via Old King Cole Younger
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Discussion with Bob Nickas- Jerome Lefevre
From a discussion between Jerome Lefevre and Bob Nickas / as published in Beauty Flow issue 4
JL : Steven Parrino was one of the first “fan artists.” He used his own rock references as an art language. Do you agree with that?
BN : Parrino comes after Dan Graham, who wrote about the Kinks in the ’60s and about punk rock in the late ’70s. One important essay deals not...
thehealingforce:
Diego Cortez - Cataract...
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“Count Panza, you are a wealthy businnessman. I am a working artist who is not...”
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RIBELLI CON STILE →
